She was a dead ringer. Now she’s just dead. . . .

Blair Mallory lives the good life. She’s pretty, confident, and the owner of a thriving up-scale fitness center. But in the shadow of success, a troubled member of the club develops a strange fixation on Blair, imitating her style and dress. Matters take a darker turn when the look-alike is shot dead—and Blair witnesses the horror.

As the media speculates on the tawdry details of the homicide and pushes Blair into the harsh spotlight, she locks horns with police lieutenant Wyatt Bloodsworth. He wants to lead an investigation without interference, while Blair is determined to probe the dead woman’s life on her own. But when someone begins to menace Blair with mounting threats, Wyatt takes notice: Was this murder indeed a lethal case of mistaken identity–and was Blair the intended victim?

Writing the main character, Blair:

“Blair was fun, period. I was never a cheerleader, and my friends call me “the queen of logic.” That’s when they aren’t saying that I think like a man. So Blair is nothing like me, and if I didn’t channel a cheerleader I’d like to know what the heck that voice is chattering away inside my head??? Her family never underestimated her, but men did. And she had fun with it. She was so cheerfully ruthless, and so intelligent and sharp, that she used her personna as a means of getting her way. If someone underestimated her, she blithely rolled over them. When I was writing To Die For I spent a lot of my time sitting in front of the computer laughing like an idiot.”

Linda Howard